Tuesday, July 31, 2012

With Focus On Protected


They finally release the much-heralded production "The protected? Teleset the producer for Channel RCN, whose campaign of expectation was not so striking and successful telenovelas like before and to have won international awards for the advertising company responsible for them.

Under the slogan "You can change the name, but never the heart? there is evidence of the essence of the modern soap opera plot of this, very innovative style that has characterized as a producer of cutting-edge Teleset and its creative head, the librettist Juana Uribe.

In "protected? photography mainly stands on par with the agile handling of cameras and editing rhythm that involves the viewer with a story to the subject again fingering the Mafia and all its nooks inherent explicit and implicit violence that can mishandled hit and hurt the feelings of a large percentage of viewers wary of the excesses that sometimes handle these types of contemporary melodramas, which took elements of the reality of life, build the classic story of love that characterizes all other telenovelas.

The first chapter contains a rather violent scene in which the Capo characterized by the actor Luis Eduardo Arango Lord gives him a tremendous beating his girlfriend "The Bandi?, Played by actress Ana Bolena Mesa (wife in real life Luis. Edo. Arango) leaving her near-death, tinged with a savage spectacle of blood and to the astonished gaze of the protagonist Marck Tacher. To cap the dose, we heard minutes later one of the dialogues of Capo when utters a shocking threat to your accountant played by Carlos Barbosa, which reads:

THE CAPO: "And do what you have heard to do, or else they peak with a chainsaw and threw the bits from a plane across the Caribbean, hear me, hear me!?.

That this librettists gentlemen!, Please do not forget that you play role and commitment you have in front of a teleadiencia who like soap operas and covers, and is not the most advisable, child viewers, it's really disturbing that little people forming hear such kind of dialogue and see a scene like this, what justification we would provide you Mr. Sebastian Sanchez and Ms. Adriana Arango you?, if it is true that you want to print all the realism as possible to the story of some witnesses should change their identity and escape the reach of a Capo for their lives, the issue of violence must be balanced to the end or I dare say that sooner or later going to censor this interesting production, in my opinion only suitable for a public adult and therefore must be issued on a strict schedule for adults.

THE PLAYERS:

OROZCO VERONICA: It's a very fresh and natural actress, you can play with the candor and sensuality with the same pitch, easily becoming a villain or a picky bitch and sweet woman of character or perhaps a sly prude. This time gives life to a young biologist with extrasensory powers, something romantic, modern, but with strict moral guidelines.

MARCK CROSS: All remember wearing the costume of a passionate mariachi gave up everything for love, now a young lawyer who inadvertently criminology and on account of the cowardice and dangerous love affairs of his father, this involved the Mafia ends banished along with other family members, under the guise of protected witnesses by the prosecution. The Mexican actor continues to be popular in the Hispanic and has the challenge of showing another side edge in a melodrama.

LUIS EDUARDO ARANGO: "Old Dog, missed beats?, Is saying that it is consistent with this important Colombian actor whose versatility seems to have no limit, since a good number of years we have seen in various forms and characters, a after another, with a large professional features learned and remembered teachers acting as Boris Roth, directors such as David Stivel, magnified in characters written by script writers like Bernardo Romero, then to characterize a man as good as gold, the emblem of true friendship in "La hija del mariachi?, takes the side of bad, a tyrant boss, violent and calculating, he very probably know move forward without fear.

"The Protected? bears some similarity to the soap opera "The Widow of the Mafia?, but remember that here in Colombia was not very receptive and abroad much less due largely to its subject, the unfortunate choice of characters and the narrative slow around like a soap opera's heavy, very schematically in their scripts, hopefully not the same thing happens with this proposal, more is not taking into account the suggestions made. Let's give it time.

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